FAR WEST
Artist + Project Vision

The bad decision you can’t help
but make.

Morrison Conway is a cinematic outlaw artist who explores love, loss, and freedom through slow-burn country rock n’ roll—inviting the audience into a world where every decision costs something, but they make it anyway.

Don Draper in double denim.

IDENTITY + POSITIONING

Sergio Leone stranded in Laurel Canyon.

Sonic: Waylon meets Petty meets the Eagles—California rock n’ roll warmth and outlaw country swagger, sung through the busted-up rasp of Ryan Bingham in a desert bar at closing time.

Visual: Desert motel + 1970s film stills + dusty Americana tinted with cinematic minimalism.

Brand Archetype: Tragic Charmer × Outlaw. A man who leaves a mark you can’t forget.

Goal: To haunt. To be remembered.

Swagger. Seduction.
Momentum. Denial.

This is the soundtrack to a one-night stand with the open road.

The feeling of sweating through a denim jacket at midnight.
Of motel sheets that smell like someone else.
Of kisses with consequences.

It doesn’t ask permission.
It’s the fast burn before the fallout.
The drifter’s code. The cowboy myth.

The outlaw charm you regret loving—
but would do it all over again.

If you need to place it:
It lives somewhere between a ‘70s outlaw country record
and a dusted-off rock album found in the glovebox of a Ford LTD.
Think: Kristofferson grit, Eagles mysticism,
Fleetwood Mac ache, Bingham weight.

But Far West doesn’t follow rules.
This isn’t retro. It’s timeless.
Every song is a scene in a film that doesn’t exist yet.
Until now.

THE SOUNDTRACK

Debut Album | FAR WEST

Far West is a two-part album, released in two volumes—Side A and Side B—each with its own cover, arc, and emotional world. Together, they tell the full story.

Link to song lyrics
Link to sonic vision deck
Link to reference playlist


SIDE A |
Far West, Vol. I: The Do’s and Don’ts in Rattlesnake Country

Release: 5/15/2026

1. Bury Me in Bakersfield

2. Cowgirl Blues

3. The Long Road

4. Dollar Sign

5. On the Fire

6. All Quiet on the Western Front

SIDE B | Far West, Vol. II: Bloodlines

Release: 8/14/2026

7. Hell of a Heaven

8. Los Charros del Desierto (Interlude)

9. Old Dog

10. The Border

11. Down a One Way Street

12. The Sort of Night

13. Hurricane

THE VISUAL WORLD

Retro / Film / Grain / De-Saturated

Colors should feel like they’ve aged in the sun and been slept in.

Link to visual identity deck.

A visual arc rooted in classic cinematic tragedy—like Adam and Eve, or every great Western.
The rise. The temptation. And the reckoning. The album cover is the aftermath—it’s the myth burned in.

ACT I — The Rise (Sunrise)

Far West, Vol. I: The Do’s and Don’ts in Rattlesnake Country
Release: May 15, 2026
Time: Sunrise
Tagline: “He walked into town like the desert owed him something.”

A man alone in the desert. Upright. Composed. The myth still intact.
This is the charmer before the fall—the wanted poster of the man you haven’t met yet.

ACT II — The Fall (Golden Hour)

Far West, Vol. II: Bloodlines
Release: August 14, 2026
Time: Sunset
Tagline: “Some men burn slow. Others bring the fire with them.”

The shirt is gone. The flower’s been crushed. Something has broken.
This is the temptation. The mistake. The kiss that lingers long after she’s gone.

ACT III — The Reckoning (Darkness)

Far West (Full Album Cover)
Release: Late August 2026
Time: Twilight
Tagline: “He buried the legend. The man walked out.”
Ash in the air. A coiled snake. The shadow longer now.
The myth has fractured. What’s left is real.

This isn’t a shoot. It’s a scene.
Each cover is a cinematic still, captured like a lost Leone-era film poster.
Not posed. Not polished.
Just a man, a desert, and the story that undoes him.

Album Art Concept: A Three-Part Ritual in the Desert

Music Video | ‘Bury Me in Bakersfield’

Reference: “Move Along” The All-American Rejects (but slowed down)

Structure:

Camera Locked: Medium shot. Morrison sitting in the back of a truck bed, centered—arms resting, eyes forward, unmoving, as the truck drives on the road. The camera never changes angle. It’s the world that shifts, not him.

Driver: A woman. Either rotating (every scene) or archetypal (the same woman in different forms: denim angel, black widow, ghost in a white dress). She never looks back.

Transitions: Hard cuts, no fades. Jarring shifts. Locations jump like memory fragments.

Visual Sequence:

1. Dirt Road, Heat Haze – boots dusted, sun glaring.

2. Neon-Soaked Motel Strip – red and amber glow, dead-eyed.

3. Freeway at Dusk – empty lanes, semis roaring past.

4. Snowbound Backroad – his breath visible, everything else still.

5. Golden Hour Desert – burned-out trailer parks in the distance.

6. City Lights Blurring – concrete passing underneath, forgotten.

7. Rain, Midnight – reflections of stoplights on wet metal.

8. Early Dawn Fog – no color, just grey.

9. Back Alley with Fire Escapes – static electricity in the air.

10. Desert Again, but now Night – truck headlights barely pushing through.

Live Performance Experience

Before the show begins, a field recording plays: desert wind, cicadas, distant coyote howls. Then—sharp, bone-deep—the Aztec death whistle pierces the room (as used in Puss in Boots: The Last Wish), signaling the ritual is about to begin.

Morrison Conway’s live show plays like a slow-burn Western in three acts (mirroring the album cover and release plan)—desire, temptation, and ruin.

ACT I — The Rise (Sunrise)
A sunrise time-lapse over Joshua Tree plays on the video wall.
The scent of sage in the air.
He enters in dark denim-on-denim, crisp white cowboy hat, boots dusted from the road.
Still. Observing. Untouched.

ACT II — The Fall (Golden Hour)
The sun drops in the time-lapse. Shadows stretch.
He removes the overshirt—revealing a tight white tank.
The voice begins to fray. Sweat collects.
The myth cracks open, just enough to bleed.

ACT III — The Reckoning (Darkness)
Darkness. Dim red light. He’s nearly silhouette.
Hat lowered or gone. Tank stained. Belt still shining.
He sings the final line, lights a cigarette, and disappears into the dark.
No bow. No thank you.
Just aftermath.

Signature Look:
White tank. High-rise denim. Western belt. Boots. Red bandana.

A DUST-TINTED LIFESTYLE BRAND

If Tyler, the Creator took Golfwang country.

This isn’t merch—it’s a fashion house. Think Jacquemus meets desert couture.
High quality garments. Handmade. Limited edition-only seasonal releases.

Shirt. Bandana. Matchbook.
Wrapped in brown butcher paper and sealed with red wax and packed with a motel receipt.

SOFT POWER

A novella.

Link to chapters 1 - 6.

The story of a man returning from war to find his home—and the woman he left behind—no longer waiting for him. A story about memory, loss, and the slow erosion of the things we once loved.

Limited edition hard copies to be released between Side A and Side B launches.

AFTER THE WAR

FAR WEST RELEASE STRATEGY


‘Bury Me in California’ Tour

Bury Me in California is not built for algorithms or arenas. It’s an invitation into a world—intimate, seductive, slow-burning.

This is not about reach—it’s about resonance.

End of April, 2026
• Album “film” trailer release
• Poster release | Far West, Vol. I: The Do’s and Don’ts in Rattlesnake Country

May 15 (Fri), 2026
• Side A release | Far West, Vol. I

May 16 (Sat), 2026
• Side A release show | Pappy & Harriet’s, Pioneertown

May 29 (Fri), 2026
• Music video release | Bury Me in Bakersfield
• Show | Topanga canyon backyard house

June 7 (Sun), 2026
• Show | Ojai orchard / farm set

June 14 (Sun), 2026
• Show | Malibu Hills private coastal sunset

June 18 (Thu), 2026
• Merch | Teaser release

July 6 (Mon), 2026
• Show | Paso Robles barn / field show

July 9 (Thu), 2026
• Merch | Limited edition release

July 18 (Sat), 2026
• Show | Laurel Canyon historic home set

July 30 (Thu), 2026
• Novella | Hard copies released

August 8th (Thu), 2026
• Poster release | Far West, Vol. II: Bloodlines

Aug 14 (Fri), 2026
• Side B release | Far West, Vol. II
• Side B release show | Desert 5 Spot, Los Angeles

Sept 25 (Fri), 2026
• Farewell show | Los Angeles

WHAT CAME BEFORE

DESERT 5 SPOT - Los Angeles, CA

JW MARRIOTT - Nashville, TN

THE HOTEL CAFE - Hollywood, CA

VENICE LOVE FEST @ The Mountain Stage - Los Angeles, CA

HORSE AND PLOW - Sebastopol, CA

THE LOST CHURCH - Santa Rosa, CA

SOFT SPOT @ DESERT 5 SPOT - Los Angeles, CA

WE FOUND NEW MUSIC // BAR LUBITSCH - Los Angeles, CA

THE LIGHTHOUSE CAFE - Hermosa Beach, CA

THE MINT - Los Angeles, CA

APOTHEKE - Los Angeles, CA

SILVERLAKE LOUNGE - Los Angeles, CA

MAR VISTA ART WALK - Los Angeles, CA

TR!P - Santa Monica, CA

BELLY LEFT COAST - Santa Rosa, CA

GEYSERVILLE GUN CLUB - Geyserville, CA

THE RANCH - Fairfax, CA

20MISSION OUTSIDE LANDS AFTER PARTY - San Francisco, CA

PORTALUPI - Healdsburg, CA

DRY CREEK GENERAL STORE 1881- Healdsburg, CA

THE CORNER PROJECT - Geyserville, CA

CONTACT

Wade Redding

wade@quietcoyoterecords.com